Deeply influenced by Creole music, as well as by American jazz and folk, McCalla’s music is at once earthy, elegant, soulful and witty — it vibrates with three centuries of history, yet also feels strikingly fresh, distinctive and contemporary. In her most recent release and third solo album, The Capitalist Blues (2019), McCallaprocessed the current political environment in her own way, by sonically blending New Orleansmusic and Haitian jazz, with lyrics sung in English, French and Haitian Creole. The album “imaginatively maps her vision of the Afro-Caribbean diaspora while gently taking Anglocentricism (and capitalism) down a notch,” said NPR. “She's partly in the moment and partly looking beyond it, and seeing truths that we've missed.”